Baskerville typeface design9/4/2023 ![]() ![]() The precise, clean lines of this serif make it a distinctly modern alternative to the curvy romance of Garamond and other old-style types.Ĭalluna is a wonderful all-rounder for layout design. This font is chunky and assertive, with exaggerated serifs. The first wildcard serif on our list is Calluna, a 2009 creation by Jos Buivenga. Garamond looks as good set as body text as it does as a header, so don’t be afraid to use it generously.īook design by RPB Safety for ‘Garamond: Dr. It also happens to be one of the most eco-friendly typefaces to print as the characters require less ink than other similar serifs. If you’re looking for elegance, grace, and beauty in a typeface, Garamond will undoubtedly fit the bill. The Garamond most designers know and love is Adobe Garamond, which was designed by Robert Slimbach in 1989. There are now many incarnations of Garamond, but each take their cues from the typefaces created by the sixteenth century French printer Claude Garamond. It really is the ideal romantic typeface, with a beautiful design that’s based on the organic curves of handwriting but with more structure and formality. Returning back to Old School serifs for a moment, Garamond is well-deserving of a place in our list. ’25 Layouts introducing Baskerville’ by Eman Ahel. With generous leading and margins applied it really is unbeatable as a typesetting font. Baskerville’s real strength shines through when used to set large sections of text. It has an overall sharper, taller design than Caslon, which makes it feel more serious.īaskerville is a font that means business, making it a great fit for more formal media, like novels, corporate stationery, and newspapers. Another English-designed typeface, it was created by John Baskerville in the 1750s. Baskervilleīaskerville is a Transitional typeface, the successor of curvier Old Style typefaces like Caslon. This magazine layout by Mark Brooks mixes Adobe Caslon Pro with a contemporary serif font, Neutra. It’s no surprise that the motto of many designers and typesetters is ‘If in Doubt, Use Caslon.’ Use the italic ampersand to really add wow factor to invitations and menus. ![]() Use it to typeset books and magazines, or create pull out quotes in its italic weight. It may be Old Style, but Caslon still looks remarkably fresh and stylish when used on modern layouts. It became the defining typeface for books and administerial documents in colonial Amercia, and was even used to set the text for the Declaration of Independence. Caslon soon became popular not only across Europe, but across the pond too. Caslonĭesigned by English typesetter William Caslon in 1722, Caslon belongs to the Old Style group of typefaces. ![]() While most of these have stood the test of time since their inception some centuries ago, we’ve also got a couple of more recent wildcards which we think will become modern classics. These five serifs are designers’ top picks for typesetting paragraphs, crafting beautiful italics or setting gorgeous headers. Serifs might be more traditional than their sans sisters, but they don’t have to be formal or stuffy. These are our top ten hard-working serifs and san-serifs which will look beautiful on any layout, along with suggestions for how to make the most of their classic good looks. ![]() These workhorse fonts make light work of typographic layouts, bringing a touch of elegance and professionalism to every design. ![]()
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